Here are two different shots for the exercise on implied lines;
The first is the eye-lines and how they project an implied line, here being the staring 'up to the heavens' in this stained glass window. I particularly love the bright translucent colours in glass as they have so much more luminosity than printed colour. The happy accident in this shot is the cross formed by the leading between the panes adds to the religious symbology. Interestingly the character 'greyed out' and not staring upward is the 'sinner' or 'non-believer' and is depicted like this by the artist.
The second shot is a line of extension, this row of bins leads the eye down the adjacent path and is helped with it's forward movement by the second bin which appears to be toppling forward threatening to knock the whole line down like dominos
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